Here are some random pics from tour: this one is in Las Vegas at some Elvis installation, thus the TCS w/lightning bolt (which means “takin care of business in a flash”). He demanded that his crew do exactly that. Barnsey took this one.
The show in LA. I think my cousin Julia took this one.
Our friend Cary Haider took this at the portland gig. Looks cool. I wish you could see my boots better cuz they’re the ones I designed for Fleuvog several years back. They look better than ever. I’ve had to re-sole them a couple times but damn they’ve aged well.
Well we’ve just finished what I’m pretty sure was my favorite year of touring. Ever. Thanks to everyone who came to see our gigs, bought and/or listened to our records, wore our t shirts, watched our videos, read or wrote articles about us, and generally enjoyed us in any ways that I haven’t thought of here.
It has been brought to my attention that there is something I need to clarify before I can go on vacation though:
Traditionally it takes us about a year and a half to make a record. About halfway through I need to organize lyrics and arrangements, then again months later before the record is finished. This part takes anywhere from a week to a couple months (in the worst case scenario) depending upon how much procrastinating I’ve done in regards to lyrics. Unless you have a songwriting partner, no one can help you with this. These are long, dark unhappy days generally.
In the multitude of interviews this year I was asked repeatedly if I felt badly about Zia and Brent writing ‘This is the Tide’, as though I had been put out to pasture. Jeez. My usual reply was that I was the one who got to come in for an hour and a half while they spent fifteen hour days working out the tedium of details, but apparently this made it sound like traditionally I make the records while they breeze through for an hour and a half whenever they’re feeling whimsical. That is a ridiculous interpretation, and now that I’ve cleared it up i’m officially on vacation.
Wikileaks: is everyone aware of what this really is? It’s a dream of what we all wish we are. It’s what we make movies about: a benevolent superpower.
They are saying “let us know, We can handle it” BUT THEN, when the money systems companies did what is wrong with “the system” like a tired cliche’, they said “NOPE”.
This is gorgeous X-men shit putting our Orwellian recent past in a full-nelson until it says uncle. Hysterical and I find it deeply comforting.
I received this link from a couple friends who said they loved it. I haven’t read it because I don’t feel comfortable reading press, but go ahead. It’s Zia approved.
Well the narrative doesn’t exactly cruise right along. By page 78 I found myself flipping through the rest of the book reading a page here and there. This guys writing style is fantastic but it constipates after a short while. I don’t know if I’ll ever finish it.
As far as plots and stories go this one is just plain silly. But then again that’s not what it’s about. If you’re into food, France and French wine this is what might be called an elegant romp and it’s definitely for you.
I’m gonna read The Brief Wondrous Life of Oscar Wao next. Just as soon as we’ve had our two-day break from tour.
Our gig last night was magic. If I had gotten more than seven hours of sleep I’d still be reading but I’m too tired to concentrate on one thing for more than a few minutes. Or pages.
This is a whodunnit about a three-million dollar wine heist. I’m in heaven. It also happens to be written by my favorite kind of modern writer: a wit who can keep out of his own way.
Check out this cool, um,”art” installation on the U.S./Canadian border. (Click to enlarge.)
Apparently this book was discovered as a complete manuscript after Crichton’s death in 2008. I didn’t even know he had died. Well the book is pretty damn fun. It’s got me through four flight delays and one cancellation, three van rides and a seaplane.
One thing though, it’s been a while since I watched Captain Horatio Hornblower but I kept thinking that this was the same story. Or was it Yellowbeard.
Time: 7:00pm.Address:1624 NW Glisan.Venue phone: 503-223-4527.** Little Cloud Records Showcase with LSD & The Search For God, Sun Atoms, and Tremours **Buy Tickets